If you have the joy of being your own boss, you should be able to shoot when you want and where you want, right? But when Kaitlin of Kaitlin Noel Photography started shooting more weddings, she realized she had to confront her fear of shooting in direct light.
“…portrait sessions were notoriously scheduled to take place in the “perfect” light. If I wasn’t a fan of the light, I would simply rescheduled the shoot for a “better day/time.” This was the dream. The good life.”
On the wedding day, there is only one boss, the bride. Okay, two, the Mother of the Bride, but still not you. The luxury of changing the date based on direct or indirect sunlight is nothing but a photographer’s dream. The wedding day is happening no matter the weather. And we all know someone who has shot a wedding in a hurricane, so there is no time to cry, “but I am a natural light photographer!”
While Kaitlin did not spiral into a fit of fear, she did face those fears with no way out.
“My first wedding was a rude and alarming wake up call. Portrait sessions were now moved to before 3pm, outside, without shade, in rain or shine, and I NEEDED to be able to shoot…in ALL of those conditions and more. Shooting in full sun was a HUGE fear for me, as I know it can be for many of my peers. Its certainly not ideal, but it is a situation we all need to be able to handle.
A lot of my peer elders recommended the following tips and tricks to counteract shooting in the bright sunlight:
1. Fill Flash
2. Use of a Natural or Studio Reflector
3. Find a tree/shade source
“…when shooting with the sun directly behind them, you NEED to shoot through something…leafy branches, etc. You also want to have more of a textured background (building, fences, etc) so that it is not all blank white skies. Also, be sure that you over expose just a bit as you meter for their faces and fill in with the shadows slider in Lightroom. After a bit of editing magic, you will find that you have a perfectly exposed image. “
Even when shooting in direct sunlight, you can have both the background and clients faces in a flattering and even light.
So, though this subject can be talked about for many more pages and each and every photographer has their own shooting style and use of light, I think most would agree that BACKLIGHT is the best way to handle direct sun, as long as you can provide a way to add fill flash, use natural reflectors, shoot through filters, or find any patch of shade to pose in and shoot from.
As a photographer that shoots a lot of beach weddings in Cape May, NJ, I am usually not given most of those luxuries. I am able to use sand as a natural reflector, though. I often pose the groom with his back to the full sun, his bride standing in front of him, while I shoot from the side, as the feature image for this article shows.
Do you have any other tips that you have found work for you? Different shooting styles? Any tips and tricks you are willing to share? We are always up for more inspiration and seeing how others approach shooting in various conditions. Feel free to comment below and let us hear what you think!!!
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